Tag Archives: Ganesha

Unique Eco-Sculptures from an Indian Design Student

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Design Student Creates Unique Eco-Sculptures 

The Eco-Lamp

Satish Behera is a design student in India who has been exploring the ancient craft of paper maché as an ecological design material.  His style is so unique, his designs so impressionable that they are hard to forget.  His has created a style that is very professional and objects that are very desirable. (Pics)

 Using nothing more than newspaper, glue and varnish, Behera’s medium winds around and around itself as it becomes both base and cover, while Behera molds each strip into an elegant cultural work of function and art.  Each work has a patina of its own created by the blend of varnish, glue, and paper ink, adding even more distinctiveness to Behera’s style.

 

Eco-Ganesha is a modern, ecological sculpture of an ancient Hindu god, a god who, legend has it, has an elephant head.  It is exquisitely formed with rich detail that’s astounding when you consider the designer’s medium.

Design Student Creates Unique Eco-Sculptures

Eco-Ganesha

The Eco- Lamp or the Paper Table Lamp was a challenge for Behara who writes that the unusual form resulted from his placement of the lamp’s center of gravity.  Though Behara uses every strip of newspaper he acquires in his exploration, he acknowledges that he had to use “alien” products like wire, a bulb and the bulb holder.  This is a functioning lamp with a 60 watt bulb.

Wanting to design something more interesting than a box for a speaker, Behara created the Eco-Speakers to look like large snail shells/  Again, you see his meticulous craftsmanship.

Design Student Creates Unique Eco-Sculptures

Eco-Speaker

Of course, these works were simply explorations Mr. Behara undertook as part of his design coursework, but they’re awfully interesting and I should think marketable as well!

India’s taxman catches up with elephants

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India‘s taxman has finally caught up with the nation’s working elephants, with the owners of those working at temples, festivals or parties having to pay 12 per cent of their earnings in service tax.

India's taxman catches up with elephants 

In India's autumn wedding season the number of ceremonial elephants can being 
city roads to a standstill 
Photo: ALAMY

Elephants are deployed throughout India as ceremonial beasts at weddings, auspicious reminders of the elephant God Lord Ganesha at temples and Hindu festivals like the Kumbh Mela, and as exotic children’s rides at birthday parties.

In India’s autumn wedding season the number of ceremonial elephants can being city roads to a standstill. For many they are an affordable treat – toy shops offer them for under £25 per hire as an upgrade on a party camel.

They are however big business. In Kerala alone, revenues from its 700 working elephants are estimated at just under £30 million per year.

Throughout India’s 28 states, the figure is believed to be several hundred million pounds per year. During peak demand, the going rate can rise to around £300 per day.

Now the Indian revenue authorities want their share and have ordered all enterprises hiring out elephants to levy a 12.36 per cent service tax.

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Ganeshani – Female Form Of Lord Ganesh

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Ganeshani Art By Sala Warin Chaichantueg
Ganeshani Art By Sala Warin Chaichantueg

Vyaghrapada Ganeshani – Enigma Of Lord Ganesha’s Female Form:

Perhaps the most famous Ganesha temple in India is the Uchi Pillaiyar Koyil at Trichy. Uchi means “at the top”. This large temple (also known as the Rock Fort Temple) is built on a hilltop and commands a breathtaking view of the city and of the river Kaveri. Another large Ganesha temple is the Pillaiyarpatti Temple near Karaikudi in Ramanathapuram District, also in Tamil Nadu. In New Delhi there is the Siddhi Buddhi Vinayagar temple situated in Vinayanagar. The Mukkuruni Pillaiyar inside the huge Meenakshi Temple complex in Madurai, India, is also quite famous. This murti is ten to twelve feet tall. Mukkuruni refers to a large measure of rice (about forty pounds). Here the priests cook a huge modaka ball for Ganesha using this measure. Hence the name Mukkuruni Pillaiyar.

Ganeshani Statue

Also in Madurai, Lord Ganesha is worshiped as Vyaghrapada Ganeshani, in female form with tiger feet. Some say that this form belongs to the Rudra Ganas. We also see the description of the female form of Ganapati in the Mantra Shastras. This form is called as Vallabha Ganeshaani. This form has not gained much popularity. The Ganeshaani murti in sukhasana pose resides at Suchindram. There are two other temples in India with the female Ganesha form. One is at a tenth-century temple dedicated to sixty-four yoginis in Bheraghat, a village near Jabalpur. The other is the Tanumalaya Swami Temple in Suchindrum, Kerala. In Tibet She is worshiped as Gajanani.

Ganeshani Statue

Vainayaki or Ganesani, the Sakti of Vanayaka or Ganesa, is a comparatively less known goddess in Indian iconography. Even as the female energy of Vinayaka, one of the five major gods of the Hindu pantheon, her worship was not much popular in ancient India. It was probably due to the rise of the Ganapatya cult, Yogini worship and Tantricism that Vainayaki also came to be regarded as an important female deity during the early mediaeval period. Some Puranas and other scriptures mention Vainayaki in the list of the Yoginis and other goddess. Several Jaina and Buddhist literary works also enumerate interesting details about the goddess.

Ganeshani Art Depiction

The well-known Chaunsatha-Yogini temples at Rikhian, Bheraghat, Hirapur and Ranipur-Jhariyal enshrine the images of Vainayaki along with other Yoginis. A few sculptures and bronzes discovered in various parts of India prove beyond doubt that she was also worshipped as a cult divinity by her devotees. Besides these, Vainayaki as a Buddhist Tantric goddess Ganapatihrdya has also been found represented in the Tantric paintings from Nepal.

Ganeshani Extract

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The Fire Yogi of Tanjore

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The Fire Yogi is a 47 minute documentary exploring a Yogi who has the extraordinary ability to use a unique breathing technique to get into union with Fire. This documentary portrays a rare and unusual Fire Ritual performed by the Yogi and the subsequent chemical analysis of his clothing & physical tests that examine this supernatural phenomenon. The Yogi has performed this Fire Ritual for a total of 1000 days over the last 45 years. The Yogi, weighing a mere 94 pounds (43 kilos), has been able to survive on only two bananas and a mere glass of milk with a few drops of water twice a day for the last 28 years. Many aspects of the Yogi are on the edge of unbelievability, while at the same time highlighting the power and endurance of human mind, body and spirit.

Yogi Rambhauswami, the 63-year-old yogi, claims that in 1975 he stopped drinking more than a few drops of water each day, that two years later he began limiting his daily diet to a banana and a cup of milk, and that he sleeps only three hours each night. By all rights the Sanskrit scholar should be malnourished and dehydrated, but in director and producer Mike Vasan’s documentary, he appears to be a relatively normal, if somewhat slender, senior citizen. Rambhauswami’s real claim to fame, however, is his elaborate fire ritual.

The ritual begins with his taking a bath, then moving on to meditation, pranayama, and a ceremony honoring Ganesha. The fire portion of the ritual is conducted over a sunken pit, into which Rambhauswami offers rice, coconut, sugar cane, and gallons of ghee. As he’s doing this, he goes into a deep meditative state. He enters the blaze and rolls around, protected by only a wool shawl, and remains there, in the fire, for up to 10 minutes at a time.

When Rambhau emerges from the flames, though, there’s little evidence that he’s just been charbroiled. Even his shawl is intact, its preservation credited to a protective aura. The shawl was later tested for fire retardant, and results showed that the material hadn’t been treated.

The Fire Yogi of Tanjore (complete 47 minute documentary video)

 

Lord Ganesha’s ‘Investigation’ by Hitler Stirs Protests

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Lord Ganesha adored by millions of Hindus has become a victim of investigation in Australia. An Australian play allegedly depicts Lord Ganesha being tortured and investigated by the notorious Adolf Hitler’s Nazi Secret Service, infuriating the Hindi community. The play “The Ganesh versus the Third Reich” by an Australian based “Back to Back” theatre is having a world premiere at Melbourne Festival in Australia on September 29.

Lord Ganesha's 'Investigation' by Hitler Stirs Protests

Speaking to PTI, US-based Hindu activist Rajan Zed objected to the play saying it had irrelevant imagery like Ganesha being tortured and interrogated by the Nazi Secret Service.

“Ganesha is worshipped in temples and home shrines. The Lord should not be made a laughing stock on theatre stages,” he said.

Rajan also expressed that “Creating irrelevant imaginary imagery like depicting the Lord being tortured and interrogated by Nazi Secret Service has hurt the devotees sentiments.”

The theatre group’s executive producer Alice Nash stated the play was showcased in different territories and was not displeasing to the Hindus. The play did not intend to portray something disrespectful to the Hindu deity, she said.

The play on Ganesha is not the only one to have angered the Hindus. A recent portrayal of Goddess Lakshmi on a swim-wear at a fashion event held in Sydney led to worldwide protests. The Australian swim-wear company was forced to apologize.

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Lord Ganesh

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In Hinduism, Ganesha (Sanskrit: गणेश or श्रीगणेश (when used to distinguish lordly status) (or “lord of the hosts,” also spelled as Ganesa and Ganesh, sometimes also referred to as Ganapati) is one of the most well-known and venerated representations of god. He is the first born son of Shiva and Parvati, and the husband of Bharati, Riddhi and Siddhi. He is also called Vinayaka in Marathi, Malayalam and Kannada. Vinayagar (in Tamil) and Vinayakudu in Telugu. ‘Ga’ symbolizes Buddhi (intellect) and ‘Na’ symbolizes Vijnana (wisdom). Ganesha is thus considered the master of intellect and wisdom. He is depicted as a big-bellied, yellow or red god with four arms and the head of a one-tusked elephant, riding on, or attended to by, a mouse. He is frequently represented sitting down, with one leg raised in the air and bent over the other. Typically, his name is prefixed with the Hindu title of respect, ‘Shree’.

In general terms, Ganesha is a much beloved and frequently invoked divinity, since he is the Lord of Good Fortune who provides prosperity and fortune and also the Destroyer of Obstacles of a material or spiritual order. It is for this reason that his grace is invoked before the undertaking of any task (e.g. traveling, taking an examination, conducting a business affair, a job interview, performing a ceremony,) with such incantations as Aum Shri Ganeshaya Namah (hail the name of Ganesha), or similar. It is also for this reason that, traditionally, all sessions of bhajan (devotional chanting) begin with an invocation of Ganesha, Lord of the “good beginnings” of chants. Throughout India and the Hindu culture, Lord Ganesha is the first idol placed into any new home or abode.

Bodily attributes

Every element of the body of Ganesha has its own value and its own significance:
The elephant head indicates fidelity, intelligence and discriminative power;
The fact that he has a single tusk (the other being broken off) indicates Ganesha’s ability to overcome all forms of dualism;
The wide ears denote wisdom, ability to listen to people who seek help and to reflect on spiritual truths. They signify the importance of listening in order to assimilate ideas. Ears are used to gain knowledge. The large ears indicate that when God is known, all knowledge is known;
the curved trunk indicates the intellectual potentialities which manifest themselves in the faculty of discrimination between real and unreal;
on the forehead, the Trishul (weapon of Shiva, similar to Trident) is depicted, symbolising time (past, present and future) and Ganesha’s mastery over it;
Ganesha’s pot belly contains infinite universes. It signifies the bounty of nature and equanimity, the ability of Ganesha to swallow the sorrows of the Universe and protect the world;
the position of his legs (one resting on the ground and one raised) indicate the importance of living and participating in the material world as well as in the spiritual world, the ability to live in the world without being of the world.
The four arms of Ganesha represent the four inner attributes of the subtle body, that is: mind (Manas), intellect (Buddhi), ego (Ahamkara), and conditioned conscience (Chitta). Lord Ganesha represents the pure consciousness – the Atman – which enables these four attributes to function in us;
The hand waving an axe, is a symbol of the retrenchment of all desires, bearers of pain and suffering. With this axe Ganesha can both strike and repel obstacles. The axe is also to prod man to the path of righteousness and truth;
The second hand holds a whip, symbol of the force that ties the devout person to the eternal beatitude of God. The whip conveys that worldly attachments and desires should be rid of;
The third hand, turned towards the devotee, is in a pose of blessing, refuge and protection (abhaya);
the fourth hand holds a lotus flower (padma), and it symbolizes the highest goal of human evolution, the sweetness of the realised inner self.

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